Anna Virovlansky

Lucia di Lammermoor, November 2016

"... for Anna Vivrolansky the return to Leipzig after her great Norina in the title role of Lucia et is something very special, and the anticipation for this role debut of this exceptional artist in Leipzig was great .... ... She ... concentrates on musical expression and sets a new standard for the Leipzig Opera. With a light vocal approach, she effortlessly masters the coloratura and the dramatic highs, register changes and tessitura are perfectly designed for her. The highlight, of course, is the madness aria, which she interprets with great stylistic expression and makes us forget the famous models. And all in a squatting position, because she can not walk, a physical as well as mental energetic performance. Her touching, painful singing, showing her ruined soul, with the innocent expression of an angel, that is the very high school of art. "

Andreas H. Hölscher 26.11.2016

Opernnetz, November 2016

Fidelio Beethoven, Marzelline, 2013

"Anna Virovlansky, as the prison-keeper’s daughter Marzelline, sung with faultless precision and bite, giving the coloratura knife-edge accuracy, while always maintaining her beautiful tone."

Bachtrack, 2013

"Anna Virovlansky reveals a melting lyric soprano as Rocco’s daughter, Marzelline"

Thw Washington Times, 2011

Siegfried / Waldvogel, Bayerische Staatsoper München, 2012 "enchanting", Frankfurter Allgemeine Zeitung FAZ